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BALLOT FOR THE BULLET: A PLAY BY HILL...

KShs800.00
The Ballot for the Bullet is a reflection of the fragile line that exists between democracy and chaos, between hope and destruction, and between choice and consequence. This play was inspired by the recurring reality in many African societies where elections, meant to symbolize peace, unity, and progress, often become catalysts for division and violence. In such moments, the youth—who should be the architects of tomorrow—are frequently turned into instruments of destruction by those in power. Through the character of Kamau, I explore the internal conflict faced by many young people: the struggle between survival and integrity, between influence and independence, and between silence and truth. His journey is not just personal—it is symbolic of a generation caught between aspiration and manipulation. The use of Kiswahili alongside English reflects the authentic voice of Kenyan society. Language in this play is not merely a tool of communication but a carrier of identity, emotion, and cultural truth. The blending of the two languages mirrors the lived realities of the characters and enhances the emotional depth of key moments. This play does not seek to provide easy answers. Instead, it challenges the audience to reflect: At what point does a citizen become responsible for the actions of their leaders? When does silence become complicity? And ultimately—when faced with the choice between the ballot and the bullet—what will we choose? It is my hope that this work will spark dialogue, encourage critical thinking, and inspire a generation to choose courage over fear, and truth over convenience.

BABE! Film script written by Wangui

KShs100.00 KShs99.00
From the village river to the city streets — some girls carry the whole world on their backs.   📖 Read the shooting script for Babe now on Nuria Bookstore.

Ma_Brayo

KShs1,500.00
Riba kila Brayo AtaRelate

My Island, My Pain: An Odyssey From M...

KShs1,999.00 KShs1,390.00
  My Island, My Pain is an epic chronicle of loss, betrayal, endurance, and self-discovery, tracing the turbulent life of Atobi amid the gradual collapse of a family undone by desire, manipulation, and grief. The narrative begins with his father, Richard, a disciplined and enterprising man whose labor transforms water into wealth and vision into stability. Through boats, fishing, and a thriving general shop, Richard builds prosperity, respect, and comfort for his household. At the heart of this success is his first wife, Janet, barren yet dignified, carrying the quiet anguish of childlessness. Though devoted, she senses Richard’s yearning for an heir, a longing that leaves a silent wound. Into this vulnerability steps Grace, calculated, entitled, and perceptive, enticing Richard and exploiting his desire for continuity and legacy. Recognizing her barrenness and unwilling to face humiliation or rivalry, Janet leaves a resigned act of self-preservation. With Janet gone, Grace becomes Richard’s second wife, and the union marks the start of profound misfortune. Grace possesses an innate skill for manipulating men, offering Richard hope for children and legacy while positioning herself for dominance. Under the influence of her brother, Odero, and her mother, Nyakaswanga, she gradually turns against him. Together, they orchestrate the systematic squandering of Richard’s wealth. Years of labor collapse under deception, extravagance, and calculated exploitation. Grace’s infidelity and emotional manipulation erode Richard’s confidence, identity, and authority, leaving him emotionally and financially broken. The family’s decline accelerates with the tragic death of Richard’s son, Sila, from complicated malaria. Delayed care, traditional medicine, and hospital strikes culminate in loss. Overwhelmed, Richard retreats to Siro Island, leaving Grace and the children behind in a home stripped of warmth and guidance. Grace’s neglect intensifies; she squanders what remains of the family’s wealth, offering control without care, authority without affection. Any hope of reconciliation with Richard dies; the bond is irreparably shattered. The children, especially Atobi, endure instability, displacement, and emotional deprivation. Relocation to Hama Island deepens the sense of rootlessness. Grace’s increasing control and performative religiosity widen the emotional rift rather than heal it. Amid this chaos, Atobi finds refuge in education. Books and discipline become his sanctuary, and academic excellence his quiet rebellion against a legacy of dysfunction. Later, abandoned again and sent to live with a cousin under harsh conditions, he endures with resolve. Each hardship strengthens his character; each betrayal sharpens his determination. Ultimately, My Island, My Pain is more than a tale of familial collapse. It meditates on power, desire, betrayal, and the resilience forged through suffering. Atobi’s journey demonstrates that even amid loss, manipulation, and emotional ruin, a determined spirit can rise unyoked from inherited pain and shape a future defined by hard-won strength, wisdom, and self-authorship.
 

Cat on a Hot Tin Roof

KShs1,960.00
A sizzling drama of desire, avarice and deception set in the American Deep South, Tennessee Williamss Cat on a Hot Tin Roof is published in Penguin Modern Classics. Big Daddy Pollitt, the richest cotton planter in the Mississippi Delta, is about... By Tennessee Williams