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The Natural Environment! My other Thr...
This book examines the natural environment as an integral dimension of human identity, framing it as the 'Other Threatened Self.' The 'Other' is understood not as an alien entity but as that which shapes and complements human identity from beyond the self (a silent partner in existence).
From philosophical, ecological and phenomenological perspectives, the book argues that estrangement from nature is not only an ecological crisis but also a crisis of selfhood. The destruction of ecosystems reflects the fragmentation of human subjectivity; to forget nature is to lose the fullness of being. On the other hand, taking it into account restores an ontological wholeness where humanity and the natural world share their essence.
Modern technological relationships, however, tend to reduce the environment to a calculable resource, abstracted into units of use and exchange. Against this reduction, the book reclaims the environment as the 'Other Threatened Self,' reawakening the ethical imperative of responsibility in which care for the earth is inseparable from care for oneself.
Such a reorientation opens a path to ecological renewal, not through technical fixes, but through grounding human life in an ontology of interdependence and reverence for the more-than-human world. The book, therefore, proposes an integrative vision of sustainability that heals the fractured relationship between humans and their threatened ecological self, calling for a renewed consciousness that recognises care for nature as care for one's own being.
Shadow of God
The Shadow of God is a Kenyan story set in rural Meru County, where poverty forces people into dishonest choices. At the centre is young Thĩĩrĩ, who finds himself forced to make a grown-up decision he never asked for.
When those around him accept cutting corners as part of survival, Thĩĩrĩ refuses. His commitment to doing what is right costs him everything and he is pushed out into the world alone, with nothing but his faith and his honesty to hold onto.
What follows is a journey of hardship, loneliness and unexpected kindness as he tries to build a life from scratch. The Shadow of God is a story about staying true to yourself when everything tempts you to do otherwise and about trusting that choosing the right path will eventually lead you somewhere good.
What Others Say
A mind-boggling overture for a debut author. It's quite quirky and would fit a small niche of books. - S. K .Nganaga.
The Hidden Rock
In this breathtaking tale, Ochieng MC Okoth invites us into the vibrant and dangerous world of the Kingdom of Ogwato. The story follows Oba, a young man whose life is a beautiful, but a messy tangle of loyalty and love. While he navigates the delicate balance between two very different women, his world is suddenly set on fire by a violent struggle for the throne.
The author does a magnificent job of showing how one man’s quiet life can be swept up into the grand history of a nation. When the noble King Awaje is murdered, the story transforms into a heart-pounding mission of survival. Oba becomes a hero not because he wants to be, but because he must protect the innocent Princess Abiero and the sacred “Hidden Rock”; a powerful symbol of the kingdom’s true soul. This is more than just a story; it is a stunning journey about the heavy price of a crown and the incredible courage found in an ordinary young heart. It is a must-read for anyone who loves a story that is as emotional as it is exciting.
The Evening Song
At dusk in the highlands of Gusii, Moraa Nyabwororo tends the evening fire, the heart of her home, the keeper of her people’s multigenerational memory. In its glow, the voices of the past still speak.
Before her birth, her father Anuri sought the seers for answers to grief he could not name. Into his household came Moraa Ng’iti who was the aunt of the fallen warrior Otenyo, a woman of visions and sorrow, fleeing the violence that claimed her kin.
From Moraa Ng’iti, the young Nyabwororo inherits more than stories. She also learns the fire’s secret language of resistance and remembrance. From Otenyo’s broken spear rises a fragile hope; that even when thunder fades, a people’s voice endures.
The Evening Song is a haunting intergenerational epic of prophecy, grief, remembrace and resilience; a testament to survival as defiance.
Nandi Bear
The Prodigal Scholar
Mbio za Sakafuni
kili ikawa haimtulii. Aache mabanati warembowarembo wa chuo kikuu na kwingine waliomfuata, wakamlazimisha kula zabibu akakataa, aje kusalitika kwa mambeta? Ndivyo walivyo akina mama wa siku hizi. Hawaoni soni hata katika kula kifaranga wao wenyewe. Ikiwa basi mvuto hutoka juu mbinguni basi hakuwa na hiari. Atanyoosha mikono aupokee. Mpanzi ni Mungu.
Ni kipi kinachomfanya Kijakazi kuwaacha wasichana wa rika lake kisha akasalitika kwa mambeta, mwanamke wa umri wa mama yake? Zebaki anaamua kula kifaranga wake? Hatima ya uamuzi huu ni gani? Jipe uhondo kamili.
Inside the Presidency: Trials and Tri...
Inside the Presidency: the Trials and Tribulations of a Zambian Spin Doctor is a captivating chronicle of the goings on at the centre of state power as told by an insider. It captures the intrigues at the presidency, specifically associated with the author's time serving retired President Rupiah Banda.
The book tells of President Banda's ascendancy to the presidency following the death of Levi Mwanawasa. Telling it as it was, Jere paints well the roles of a number of players in supporting the president's quest to meet his mandate to the Zambian people. This is a first-hand account of the operations of the presidency as well as the challenges (and later failure) by Banda to secure a second term of office. It gives insights into the in the then ruling party, the president's own beliefs and approach to politics, and how the opposition took advantage of these to defeat an otherwise accomplished president.
The book is a window into policy positions, international relations, government bureaucracy and political manoeuvers in high office. Several decisions, popular and unpopular, are laid bare as is their rationale and impact. It paints a picture of the fire-fighting between government positions and public perception and further shows the inter-play of all this with opposition parties and the press.
The Footfalls of My Heart
Footfalls of My Heart is a long narrative poem that draws style, idioms and expression from the culture, traditions, and philosophy of the Abagusii community of Kenya through the lens of a girl as she inches along toward marriage. In the community, marriage was a complex, long-drawn and tedious process that involved many parties including the families of the two, and peers of both the bride and groom, among many other key players. Throughout the process ran the concept of the ideal desirable partner. This poem captures the bride’s perspective of the groom, Rimura, depending on the many aspects deemed to define the ‘perfect’ rimura. Nyamwange’s Footfalls of My Heart is a bride’s response to his earlier publication, The Girl of Red Beauty which presented a bride’s dreams of an ideal wife, in the tradition set by Okot p’Bitek’s twin publications, Song of Lawino and Song of Ocol.
What Others Say
"This is truly beautiful. I enjoyed the stream of consciousness and wordplay, which powerfully built up the feeling behind the words. I love how the author writes with some alliteration and sensory descriptions.
I loved the imagery here:
‘The ring of bellyful laughter,
‘The beaming of a full moon on my face’
Is this a poem or a story I can't even tell!!! Why not both? It feels like the subject matter happened once upon a time.”
- Chasejameson Manar Spears, Poet, Oakland, California, USA
“The author has set a high standard to which African poetry should be written. Taking after Okot p’Bitek, the author has, however, heightened the language and the condensation of the expressions.”
– Dr. Chris Okemwa, lecturer, Kisii University and poet
Gusii Misiri Migration, Rainmaking, S...
This book is about the Abagusii, Gusiiland, sacred places, sacred people, and religious activities of the community. My late father, William Tinega Mwancha (1928-1994) used to say, “Ntwe basinto b’Oiroba”, meaning, we (human beings) are sons and daughters of the ground (soil). We were formed from the soil and we will eventually return to the soil. For this reason, traditional Gusii elders regard the soil on which they live as sacred.
It is therefore in this regard that any literature dealing with the Gusii must demonstrate an understanding of who the Gusii are beginning with their origin, migration and settlement in the land they dearly love and regard as holy. This is why the Gusii Misiri origin, rainmaking, shrines and divination have endeavoured to document what can be summed as the social life of the community.
Apart from land (soil), the Gusii have special places, items and people that they regard as sacred. Ngoro ya Mwaga, Sakagwa shrine and Igena monto are only a few sacred places and items discussed in this book. Among the many religious specialists in Gusii, the book explores the life and works of Iriasi the 20th-century Gusii rainmaker. Iriasi was allegedly said to be intersex, a condition considered by many people of his time as uniquely religious. To his contemporaries, Iriasi was created that way to perform unusual tasks such as rainmaking, divination, and prophecy.
Further to Iriasi’s nature and religious work, the book demonstrates the relevance of some traditional Gusii religious practices such as divination in modern times.