A compelling argument for the necessity for art in life, Nietzsche’s first book is fuelled by his enthusiasms for Greek tragedy, the philosophy of Schopenhauer and the music of Wagner, to whom this work was dedicated. Nietzsche outlined a distinction between two central forces in art: the Apolline, representing beauty and order, and the Dionysiac, a primal or ecstatic reaction to the sublime. He believed the combination of these states produced the highest forms of music and tragic drama, which not only reveal the truth about suffering in life, but also provide a consolation for it. Impassioned and exhil-arating in its conviction, The Birth of Tragedy has become a key text in European culture and in literary criticism.
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