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The Village Pariah by Imali J. Abala
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HUNGER by Wanja Kavengi
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Tell me Where You’ve Been
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Arthur Dobrin’s Tell Me Where You Have Been adds to diverse voices in postcolonial migration and identity politics. It offers the reader a chance to reflect on the merits, demerits and consequences, thereof, of such immigration relative to the dynamics in host nations. What is the balance one should maintain between one’s identity and the new networks that are essential for one’s success in the host nation or community? What is the place of lived experiences and how do those shape success for the immigrant? How do these lived experiences intermingle and shape the immigrant’s trajectory in the foreign nation?
What others say
“I thought [the writing] was somewhat, “genius” at times. It is a style comparable to jazz music, characterized by improvising, syncopated rhythms with a strong emphasis on individual expressions and virtuosity.” — Eric Byas
“I was in suspense by the way the author toggled from the present to the past. the blending of historical events and characters, which at times caused me to forget this was fiction. This was a riveting page-turner with plot twists that kept me reading until the end.” — Vasco Figueira
“Tell Me Where You’ve Been is a powerful reflection on how people treat music, literature and especially people. I enjoyed it greatly.” — Brian Benavides
“The uniqueness of this book lies in Dobrin’s extension of Bhabha’s theory of onward migration and contemporary challenges among minorities living in host nations such as the United States of America.” — Dr. Andrew Nyongesa, Literature Scholar
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The Eye of Mayenga by Jaspher Rori
The Eye of Mayenga is a heart-throbbing novel centred in a remote, rural African village of Mayenga. The village is a lethargic place that appears to have been left behind with respect to world trends and realities. Its residents seem trapped in times gone, dwelling on beliefs like witchcraft and other archaic practices. There seems to be neither vision nor mission, and stuck in antiquated beliefs. Its residents' pastime is drinking cheap illicit liquor, and engaging in pessimistic village gossip, which presents its own challenges. Their own son, Vincent Senta, a practising lawyer in Nairobi, 'sees with his heart' the predicament of the village, and resolves to apply his knowledge, skills and connections to bring change to the village. He successfully organises a women's group and initiates an eye-catching water project, which some people appreciate and see him as the "Eye of Mayenga." However, petty gossip and a troubled family life take their toll on him. To escape the harsh reality, he finds solace in his sentimental secretary. The relationship is ill-fated with him testing HIV-positive of which he eventually dies. Despite the medical exposition on the cause of death, blame is squarely placed on his hard-to-understand neighbours who, due to their religious beliefs, lead lives of solitude. Most residents of Mayenga believe he has been bewitched by the neighbours. In a "revenge mission", the neighbours are burnt alive in broad daylight right in the presence of the local chief. Though rumours were rife that these neighbours carried the cross of Senta's death, nobody had answers to the chief's torrential questions: Who? When? Why? What? How? And what and in the future? And future? The Eye of Mayenga captures a community at a cross-road and illustrates the clash of cultures and the struggle between the past and modernity.
"The Eye of Mayenga is a wonderful piece of art that touches on many aspects of our lives. It tackles contemporary issues of the developing world undergoing social change.These are issues that offer challenges to development." - Elijah Ogoti, English Teacher, Kenya.
"Apart from being an excellent story to read, it is a commendable book for students in community development." - Joseph A. Awino, Lecturer, University of Nairobi, Kenya.
"Jaspher Rori's work is a pretty juicy, practical, and interesting story that is set in a traditional African society, and is interwoven with unique practical challenges, exciting themes and characters that leave the reader yearning for more." - Sakaja Yona, Lecturer, University of Nairobi.
Traditional Marriage in Gusii
Traditional Marriage in Gusii (Enyangi y’Ebitinge), published posthumously, documents the process of old-style marriage in Gusii and related steps, culminating in a wedding ceremony. The process was meticulous and made of a series of steps, each with very clear purpose and intended not just for the couple but also their families and clans.
Abagusii attached a lot of value to marriage. It was a major landmark in the ‘growing up’ of a man or woman in that society. Marriage marked the transition from the care of one’s parents to being independent and taking care of oneself and one’s family. That transition was possible only after marriage.
The importance of marriage and the honour it was accorded is underlined by the respect that was given to a married woman. For example, she found herself late in getting home by someone, that person had an obligation to ensure that she got to her home safely; after all, she was a mother and her progeny would be the link to the future.
Chronicles of the Idler
Chronicles of the Idler, Volume One is a collection of short, satirical pieces on various aspects of life. In simple, straight words, the author takes a quick, but critical, look at people, life, places, situations and events and spices up the stories with imagery and unmatched humour.
What Others Say
“Many people assume that with the demise of the likes of P. K. Okoth of Drums’ Malimoto and the great Wahome Mutahi of Whispers, humour is as good as buried. Not anymore! Chronicles of the Idler is a satirical collection in a class of its own. It is original, comical and superb!” - Solomon Abayo, Principal, Riambase High School.
Echemini y’Ekegusii: Ekegusii Calendar
Abagusii lived spiritual lives with Engoro as their God who was associated with the sun, the tool He used to traverse the world. Engoro was responsible for opening and closing days (amatuko/amagooro). At sunrise and sunset, Omogusii prayed for a good day and night.
Other worship situations arose out of need, e.g. to bless, cleanse, and sacrifice (among others) in which Omogusii communed with Engoro, described variously as Matonga/Omotongi (the creator), Monyara/Omobui (the powerful one), Omonguru (Almighty), Mokona/Omonyabikone (miracle performer).
Among the spirits, Chisokoro represented departed relatives and were a medium for communication between man and Engoro responsible for blessings. Ebirecha represented evil spirits and inflicted punishment. A person displaying negative signs meant that either the Chisokoro were not happy with the person or he had attracted the wrath of ebirecha. For the former, one needed to appease (sacrifice) the Chisokoro. The latter one needed cleansing. Sacrifices and cleansing followed specific routines and were carried out at specified sacred sites.
Rejected and Blessed by Anderea Morara
Rejected & Blessed is Anderea Morara’s second novel. His first novel, The Sting, has been adopted by many secondary schools as a crucial reader. Rejected & Blessed is set in East Africa, but cast in a global context with the primary purpose of highlighting the human aspects of the continuous cultural transformation from the pre-colonial, colonial and post-colonial eras as well as the global political economy. The novel tells the dramatic and traumatic love story in which the clash of cultures in the context of rapid social change, makes it awfuly difficult to determine right from wrong.
This book gives a glimpse of how this transition affected and is affecting, communities in the region and the resultant coping strategies as well as the effects of the associated coping mechanisms, especially in the realm of love, marriage and child-rearing. On the global scene, the subtle dynamics of economic hegemony, foreign aid, brain drain, racism and cultural dialectics are glossed on.
The Unforgotten
Imali Abala’s The Unforgotten is a memorial work of fiction that captures the fate of Desi Makhungu in the face of tragedy and cultural gender disparities. When her son Jordan Ūmbisi leaves home in search of greener pastures, following the footsteps of his older brother, it is a moment of hope for better days ahead. He leaves behind his pregnant wife and aging parents who all remain optimistic that he will be successful and help them along! That is never to be! He completely loses ties with his family even when tragedy strikes back home. Now widowed, Desi faces the full gravity of living as a woman with no male figure in the home! What would be her fate in the days to come with neither husband nor son present? Who would build her a home when the old one falls apart? Would cultural practices ‘bend’ enable her to inherit her husband’s land?
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