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My Skinny Cow on an Anthill
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A Historical and Cultural Analysis of Women Land Rights in Kisii Count, Kenya, 1895- 1970
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My Roots
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Set among the Abagusii of Kenya at the onset of independence in Africa, Jeremîré Araka’s My Roots is an extraordinary story of postcolonial migration and the characters’ struggle to negotiate their existence in the disparate cultures that assailed Africa during and after colonization.
Otenyo, as Chief Ongoro’s first son, is the entitled heir to his father’s throne. Colonialism and Christianity, however, have infected native customs and traditions, especially among those who have attained formal education such as Otenyo and his sisters who have excelled in modern education undergirded by Christian values. Otenyo acquires outstanding credentials in America where he also meets and marries an American woman, jilting a childhood flame whom he had left – so far unknown to him – pregnant with a daughter. All the successes with education and in the professions, however, further alienate Ongoro’s children from their culture and traditions that have stood the test of time and served their society well. Torn between two worlds and rooted in neither, despite their academic success, their family faces mysterious deaths, countless ailments, baffling mishaps and many incomprehensible happenings whose solutions are deemed only explainable in the traditions of their people.
This story gives the reader insights into the accounts of an immediate pre- and post-independent African state and the journey that Otenyo had unseeingly set out into the distant lands and upon his return, but now in search of his roots. Will the search for his roots succeed? How will his people, who have long-awaited his return, receive him? What of his estranged fiancé, Keruboo? Readers will conclude this book with a sense of awe-inspiring amusement.
What others say about My Roots
“My Roots is a searing memoir painted on a leather that is a vivid, revelatory, thoroughly original and compelling account of postcolonial migration and the characters’ battle to negotiate their existence in the mosaic of cultures that assailed Africa during colonialism and immediate post-colonialism.” – Omwami Prof. Dietrick Kaijanangoma, Author, Analyst, Distinguished communication scholar, St. Augustine University of Tanzania, Mwanza.
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When Mwangi helped a distressed lady change a punctured car tyre one day, he thought it was just that. Little did he know that the token of appreciation that the lady gave him was a trigger that would set him off on an adventure of mixed fortunes. On one hand danger looms large and, on the other, he has to keep a job as an assistant to a young Irish researcher named Trevor. Trevor, as well, finds himself on a new path with the thugs pursuing Mwangi. How the two youths juggle between their research and safety, in and around Nyandarũa, is the thrill of this compelling narrative.
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Riddles of Abagusii of Kenya by Christopher Okemwa
Riddles, along with proverbs, are key aspects of oral communication in many African cultures, including that of Abagusii of Kenya. Popular, especially with children in the community, participants typically use riddles to challenge one another's knoweldge. One person would metaphorically describe something with a concealed clue. The listener, using imagination, previous experience and the context in which the riddle is said, would search for the most relevant answer. It takes great imagination to get the correct answer.
Riddles are also performed communally as in the case of groups of people working in the fields, trekking to the market, riding in the same public transport or simply sitting around an evening fire as they waited to retire to bed. This aspect of riddling acted to strengthen community bonds, enhanced knowledge-sharing and imparted lessons, especially for the young in the community.
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Moraa and Miya the Cat
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What Others Say
"This is truly beautiful. I enjoyed the stream of consciousness and wordplay, which powerfully built up the feeling behind the words. I love how the author writes with some alliteration and sensory descriptions.
I loved the imagery here:
‘The ring of bellyful laughter,
‘The beaming of a full moon on my face’
Is this a poem or a story I can't even tell!!! Why not both? It feels like the subject matter happened once upon a time.”
- Chasejameson Manar Spears, Poet, Oakland, California, USA
“The author has set a high standard to which African poetry should be written. Taking after Okot p’Bitek, the author has, however, heightened the language and the condensation of the expressions.”
– Dr. Chris Okemwa, lecturer, Kisii University and poet
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Abrahams People a Kenyan Dynasty by Jane Barsby
Brief Summary
The book, all 400 pages of it, sticks largely to the script of facts but unlike many other biographies brings Abraham’s journey alive, saturated with anecdotes, narrating the many twists in the tail of Abraham’s life as if the author had been the proverbial fly on the wall at times.
Jane manages to find that perfect blend of what story telling should embrace, an embroidery of facts and at times a bit of fiction surely, giving readers of the book ‘Abraham’s People’ the impression of reading a novel rather than a dry story dictated entirely by time lines and actual events. Abraham’s escape route took him to Britain first, still as a young lad, before taking a leap into the unknown when he decided to first go to South Africa in 1901 to join up with his father, working his passage as a ‘grease monkey’ in the engine room before finally making his way to Kenya in 1903 at the age of 20.
The first chapters in the book are dedicated to the story of his forefathers, how they came to Lithuania where they first prospered and then suffered under increasingly intolerant rulers, leading up to the days when first his father had to flee for his dear life before, almost one by one, the rest of the family managed to make their getaway. It must have been in those days in Leeds, when a little acorn took root in Abraham’s mind, germinating along the way, taking shape and eventually becoming a vision taking visible shape.
His arrival at the port of Mombasa and the rail journey on the ‘Lunatic Express, aka as The Iron Snake’, his stepping off the train in Nairobi, back then but a depot for the railway, around which a town had just started to grow, his first meetings with contemporaries who were part of Kenya’s colonial history, all is meticulously captured by the author. Again it almost appears that Jane Barsby was present or else managed to train her looking glass back in time as she describes how Abraham met with Tommy Woods on arrival in Nairobi, who became a fast friend, or how Abraham made a quick 25 pounds profit on a land deal, which he struck with one of the Asian community’s icons Mr. Jevanjee and how he then ventured into business, farming, ranching and deal making, soon becoming part of the colonial Kenya’s ‘furniture’ too.
The author ably sums up Abraham’s business acumen when she describes him as basically a jack of all trades with an uncanny ability to smell money if it could be made somewhere by buying or selling, investing or trading, importing and exporting. As the chapters add up, more and more insight is given into the life Abraham lived, the setbacks he suffered and his almost throwing in the towel had it not been for Lord Delamare, the Kenyan colony’s leading aristocrat and an icon in his own right.
Britains Gulag The Brutal End of Empire in Kenya by Caroline Elkins
Britain fought in the Second World War to save the world from fascism. But just a few years after the defeat of Hitler came the Mau Mau uprising in Kenya - a mass armed rebellion by the Kikuyu people, demanding the return of their land and freedom.
The draconian response of Britain's colonial government was to detain nearly the entire Kikuyu population of one-and-a half-million - to hold them in camps or confine them in villages ringed with barbed wire - and to portray them as sub-human savages.
From 1952 until the end of the war in 1960 tens of thousands of detainees - and possibly a hundred thousand or more - died from the combined effects of exhaustion, disease, starvation and systemic physical brutality.
Until now these events have remained untold, largely because the British government in Kenya destroyed most of its files. For the last eight years Caroline Elkins has conducted exhaustive research to piece together the story, unearthing reams of documents and interviewing several hundred Kikuyu survivors.
Britain's Gulag reveals what happened inside Kenya's detention camps, as well as the efforts to conceal the truth.
Now, for the first time, we can understand the full savagery of the Mau Mau war and the ruthless determination with which Britain sought to control its empire.
Mukami Kimathi Mau Mau Women Freedom by Alice Wairimu Nderitu
In 1964, a newly independent Kenya was facing the uphill task of reconstructing herself into an African State. That reconstruction was called "Africanisation”.
As part of the Africanisation policy, my father, Vincent Nderitu, was posted to Sasumua Dam in Kinangop to take over from the British superintendents who were leaving the country.
Not long after he had arrived, he asked the foreman, Harun Musungu, to find out where he could buy milk. That was how he met Mukami Kimathi. My father was thunderstruck. Back home in Tetu, Nyeri, his home and Mukami’s were within a walking distance. My father knew her as a legend. She was a Mau Mau heroine, the wife of Field Marshal Dedan Kimathi.
My father began treating Mukami like an elder sister, fixing her fences and installing a water tank for her among other duties. When I was growing up, Mukami was the auntie through whose home we passed on our way from school; the one who made my brothers and I porridge and gave us red plums. She was not a blood relative, but we always thought she was.
Mukami and her children, Nyambura and Waceke, would often come to our home in the afternoons and I would read the newspaper to her haltingly. She encouraged me saying; "When you grow up, you will write as well as you read. One day, you should write my karugano ( story) because what is not written is forgotten.”
She wanted me to remind Kenyans to take care of the country the Mau Mau fought for.
Her lowest point was the 2007-2008 post-election violence and often said: "Because we fought the colonialists, Kenyans now have arrow roots, sweet potatoes, bananas and yam on the table. But instead of eating, they are fighting! I wish this generation of Kenyans from all ethnic communities would rally as we did and this time emerge with, instead of independence like we did, national unity!
In her story, Mukami shows us who Dedan Kimathi was as a father and husband. Her experiences provide an important complement to existing written records on Kenya’s history.
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The Wretched Africans: A Study of Rabai and Freretown Slave Settlements by Joe Khamisi
Brief summary
The Wretched Africans: A Study of Rabai and Freretown Slave Settlements.
This book is about the 19th century slave trade in Eastern and Central Africa. No one in the history of humankind has suffered the indignity, abuse and pain of slavery than the African. Over many centuries, millions of Africans were uprooted from their quaint villages in the interior of the "Dark Continent" and taken into slavery.
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The truth has been loftily garbled or masked and the role of liberated Africans vastly under-represented. The Wretched Africans peels of what is beneath the Arab slave trade, unravels the racism and abuse meted against Africans by European explorers and missionaries, and lays bare the heroism and resilience of the African captives. It memorializes Africans who died in caravan trails, at sea and those who found freedom in slave settlements around the world. It is a must read for historians, researchers, students and the general public wanting to understand the truth about what happened to an estimated eleven million people taken captive from the east coast of Africa to the new world and beyond.
The Big Conservation Lie: The Untold Story of Wildlife Conservation in Kenya by Mordecai Ogada and John Mbaria
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This book takes the reader through Kenya's conservation 'industry' and the players therein with all their prejudices, weaknesses and commitment to causes, many of which are indistinguishable from their personalities.
It is a call to indigenous Africans to claim their place at the table where the management of their natural resources is being discussed and invites well-meaning donors to look beyond the romantic images and detect the possible role of their money in the disenfranchisement of a people.
The trial of Dedan Kimathi by Ngugi wa Thiongo and Micere Githae Mugo
The Trial of Dedan Kimathi, written in collaboration with Micere Githae-Mugo, is Ngugi’s response to colonialist writings about the Mau-Mau movement, which traditionally depicted the movement and its leader, Dedan Kimathi, as mentally unbalanced and vicious.
Ngugi and his collaborator choose to counter this image with a portrait of Kimathi as a man of great courage and commitment. This was how he was seen by many of the peasants and laborers of Kenya.
The Politics of Betrayal: Diary of a Kenyan Legislator by Joe Khamisi
Brief Summary
The Politics of Betrayal: Diary of a Kenyan Legislator
In this provocative treatise, author Joe Khamisi catalogues the events that took place during one of Kenya's most important periods in history. This period began in 2002, when Daniel Arap Moi stepped down after twenty-four years as president of Kenya.
Khamisi reviews events up to the time when the country exploded in post-election violence in 2007 and the subsequent formation of the Grand Coalition Government between President Mwai Kibaki and Raila Amolo Odinga the following year.
Khamisi explores the leadership betrayals that he believes are responsible for the political, social, and economic rot that are pervasive in Kenya. He recounts how he helped a presidential poll loser in the 2007 elections, Stephen Kalonzo Musyoka, capture the coveted role of vice president.
He also presents an in-depth analysis of Senator Barack Obama's visit to Kenya in 2006, as well as his own personal experiences with Barack's late father, who he describes as a person who "chain-smoked contentedly, drank copiously, and partied spiritedly." The Politics of Betrayal is critical reading for anyone who is interested in the transformation of Kenya from a one-party dictatorship to a pluralistic nation.
Histories of the Hanged by David Anderson
In "a gripping narrative that is all but impossible to put down" (Joseph C. Miller), Histories of the Hanged exposes the long-hidden colonial crimes of the British in Kenya.
This groundbreaking work tells how the brutal war between the colonial government and the insurrectionist Mau Mau between 1952 and 1960 dominated the final bloody decade of imperialism in East Africa.
Using extraordinary new evidence, David Anderson puts the colonial government on trial with eyewitness testimony from over 800 court cases and previously unseen archives.
His research exonerates the Kikuyu rebels; hardly the terrorists they were thought to be; and reveals the British to be brutal aggressors in a "dirty war" that involved leaders at the highest ranks of the British government.
This astonishing piece of scholarship portrays a teetering colonial empire in its final phase; employing whatever military and propaganda methods it could to preserve an order that could no longer hold.
Imperial Reckoning The Untold Story of Britains Gulag in Kenya by Caroline Elkins
Brief Summary
Britain fought in the Second World War to save the world from fascism. But just a few years after the defeat of Hitler came the Mau Mau uprising in Kenya - a mass armed rebellion by the Kikuyu people, demanding the return of their land and freedom. The draconian response of Britain's colonial government was to detain nearly the entire Kikuyu population of one-and-a half-million - to hold them in camps or confine them in villages ringed with barbed wire - and to portray them as sub-human savages.
From 1952 until the end of the war in 1960 tens of thousands of detainees - and possibly a hundred thousand or more - died from the combined effects of exhaustion, disease, starvation and systemic physical brutality. Until now these events have remained untold, largely because the British government in Kenya destroyed most of its files. For the last eight years Caroline Elkins has conducted exhaustive research to piece together the story, unearthing reams of documents and interviewing several hundred Kikuyu survivors.
Britain's Gulag reveals what happened inside Kenya's detention camps, as well as the efforts to conceal the truth. Now, for the first time, we can understand the full savagery of the Mau Mau war and the ruthless determination with which Britain sought to control its empire.
ISBN:9780805080018
Author: Caroline Elkins
Kikuyu District by Paul Sullivan
Brief Summary
Francis Hall's letters are among the earliest colonial record of daily life in British East Africa, now modern day Kenya. In 1892 Hall was posted to Fort Smith with orders to build 150 miles of road, to re-supply caravans between the coast and Uganda and to keep the peace between the Kikuyu and the Maasai.
His was a hard life in difficult, dangerous conditions and every day was an adventure. He was gored by a rhino and mauled by a leopard, which he strangled with his rifle, and survived bush surgery and frequent bouts of malaria.
While on leave in England he married Bee Russell, a colleague's sister, and they set up house together in Fort Smith. As the railway line approached, so the early European settlers started to arrive. But the railway was to change everything, and when Nairobi was established on their doorstep at the turn of the century, Fort Smith became redundant.
The government first moved the Halls to Machakos and then back to Kikuyuland to establish a new fort at Mbirri. Six months later Francis Hall was dead from black water fever aged 40. Mbirri was renamed Fort Hall in his memory and today the town is called Muranga. Kikuyu District is a fascinating account of the life of an early colonial administrator and settler.
Unbowed by Wangari Maathai
Born in a rural Kenyan village in 1940, Wangari Maathai was already an iconoclast as a child, determined to get an education even though most African girls then were uneducated. In her remarkable and inspiring autobiography, she tells of her studies with Catholic missionaries, earning bachelors and master's degrees in the United States, and becoming the first woman both to earn a PhD and to head a university department in Kenya.
She tells of her numerous run-ins with the brutal government of Daniel arap Moi and of the political and personal reasons that compelled her, in 1977, to establish the Green Belt Movement, which spread from Kenya across Africa, and which helps restore indigenous forests while assisting rural women by paying them to plant trees in their villages.
Maathai's extraordinary courage and determination helped transform Kenya's government into the democracy in which she now serves as Deputy Minister for the Environment and Natural Resources and as a Member of Parliament. Eventually her achievement was internationally recognized in the Nobel Peace Prize, awarded in recognition of her 'contribution to sustainable development, human rights, and peace'.
In Unbowed, we are in the presence of a hugely charismatic yet humble woman whose remarkable story carries with it an inspiring message of hope. Hers is an extraordinary story, spanning different worlds and changing times, and revealing what the courage, determination, tenacity and humour of one good woman can achieve; how as small a thing as planting a seedling and watering it can made all the difference in the world.
Shades of Benga The Story of Popular Music in Kenya 1946-2016
Brief Summary
Shades of Benga: The Story of Popular Music in Kenya delves into the foundations of modern Kenyan music, examining external influences from the English waltz to Afro Cuban Rumba and how they helped mould new music styles across Africa. Rumba was brought to Eastern Africa via the itinerant Congolese musicians Edouard Masengo and Jean Bosco Mwenda who’s intricate guitar-picking styles largely shaped the present Kenyan sound, with the Benga playing a dominant role.
Although dozens of works have been published over the years on various characteristics of popular music in Kenya – from conventional folk to hip hop – none captures the history of music and its players as authoritatively as Shades of Benga: The Story of Popular Music in Kenya. An informed study of some literary publications and academic papers on music immediately reveals that the writers, who frequently tend to be foreign ‘experts’, do not seek the opinions of pioneer musicians who helped shape the various genres of music.
Their research is largely based on information obtained from sources that are readily available on the Internet but often not easily verifiable. As we wrote this book, we made every possible effort to engage with practitioners directly involved in creating and shaping benga in order to ensure that their collective voice remains the sole critical factor to placing the music in its proper perspective while simultaneously giving the other genres in Kenya their correct definition. We undertook the arduous task of meticulously putting together the content that would faithfully recount the remarkable story of the development of our music in a manner previously not attempted.
In an effort to make this 678-page book an easy read as well as eye catching, Shades of Benga: The Story of Popular Music in Kenya features over 400 pictures.
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ISBN:6164001943132
Author:Ketebul Music
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