QUICK DELIVERY
Swift dispatch
Nyuso Books Press
Who Pulled the Trigger?
At the centre of this text is the question of "truth”. It tries to explore the dark machinery of a State where justice is a scripted performance and where survival depends on fear. The story follows a weary Judge presiding over Case77-B, who realises the man he must sentence is a mere pawn in a high-stakes game of political survival. While Generals Ayella and Alidu overturn the national media into a show to frame Defector Ka’yanga for a sophisticated murder, they leave a trail of broken lives in their wake—from the tortured activist Mr Short to a grieving mother who refuses to be comforted by State hymns. Through the cynical eyes of one, a fallen intellect seeking the truth at the bottom of a bottle, the play exposes the hollow "glory" of a corrupt regime. As the final curtain falls, it is clear that the real "trigger" is pulled by an entire system designed to protect the powerful at any cost.
The Language of Repression
"This is no collection of angry slogans. Godwin's poems are full of fury, yes - but it is a literary, considered, metaphor-rich fury. The poet's pen in his hand is not a crude weapon that simply fires at everything in sight. It is a sensitive seismograph - registering political tremors, social silences, and the emotional fractures of his time and place." Konrad Hirsch
A Nation in Mourning
This searing indictment offers a scathing critique of the systems of power in Uganda. It masterfully unmasks the dark underbelly of corruption, greed and selfishness that threaten to consume her. Through this poetry, light is shed on the intricate mechanisms of oppression, electoral integrity, succession, and leadership, revealing how those in power manipulate and exploit the vulnerable, perpetuating the spasms of inequality and injustice.
How to Write About Lawlessness in Uganda
Uganda has become a country where injustice is often ignored, excused, or hidden behind careful language. In this short but provocative book, Godwin Muwanguzi argues that writers have a responsibility to tell the truth as they see it, especially when that truth is uncomfortable.
Drawing from Uganda’s political realities and the tradition of African protest literature, he reflects on the role of the writer in times of fear, repression, and silence. More than a handbook, this is a challenge to those who believe that literature should remain neutral while ordinary people suffer.
