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Foundation Music Learners Grade 6
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The Song of a Blacksmith and Totems of Abagusii
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Guidance and Counselling: A Handbook for Teachers and Students
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Teaching minus counselling is like faith without action, which is dead (James 2:26). Dr. Charles Tinega’s more than twenty-five (25) years’ teaching sojourn provides a perfect experience that he now wants to share with you: most excellent Theophilus (Luke 1:3). With respect to guidance and counselling, the experience is revealed in this simple, practical, and heartfelt handbook.
Indiscipline in institutions of learning poses a great challenge not only to young people but also to society at large. This is compounded by life-threatening phenomena such as HIV/AIDS and the COVID-19 pandemic, as well as drugs and other dangerous and addictive substances. All these undermine the provision of quality education to the youth in institutions of learning.
Guidance and Counselling: a Handbook for Teachers and Students starts off the presentation of the topical issues with a captivating motivational story dubbed “Parable of a Foolish Bee”, which captures the need for young people to respect elders in society. The book goes on to offer guidelines on formulating a code of conduct, especially for secondary schools in Kenya. This is beneficial to institutions that have not yet had an elaborate copy of school rules and regulations or those wishing to revise the existing ones.
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Beyond tribal Lines
Beyond Tribal Lines: Reimagining Communities and Boundaries in Africa is about the perceptions, understandings, and experiences of difference between selves and communities in Africa and beyond. It focuses on the nature of difference in its many manifestations – social and communal, local and national – and the fundamental bases and typical consequences of such difference. Further, it explains the importance of difference between individuals, communities and societies; affirming that difference is natural to human social and individual existence.
Critically, it takes up the challenge of how – given the many differences between us – a society may achieve peaceful co-existence and harmony among its members. The book makes the case that being different doesn’t necessitate being enemies, antagonists or subjects of contestation.
To address and live with said difference, the authors present thoughtful ideas on realizing social harmony through individual and community reflection and understanding.
What Others Say
“Lawyers engaging transformative constitutions in Africa will find the book useful in interrogating these constitutions’ implementation which calls for a multi-disciplinary approach to their interpretation and implementation. The various insights of this book necessarily engage the burning issue of the people’s sovereign power. Political scientists interrogating the politics of division and the quest for alternative forms of political leadership in Africa will find the book’s theoretical and practical reflections useful.”
- Dr. Willy Mutunga, EGH, former Chief Justice, Kenyan lawyer, intellectual, reform activist, and former Commonwealth Special Envoy to the Maldives.
Songs of the Master River Wabler
Emeino y'Egetinginye Enchome is a captivating book of Ekegusii poetry that celebrates the rich tapestry of the AbaGusii people. The poems within this collection explore the depths of love, the enchanting beauty of the EkeGusii language and culture, and the splendor of the natural world.
From the majestic rivers and rolling hills to the vibrant flora and fauna, the anthology paints a vivid portrait of the Gusii homeland. Readers are invited to savor the essence of Ekegusii heritage through the poet's exploration of traditional culinary arts, cherished dishes, and cultural landmarks. The collection is a testament to the enduring spirit of the Gusii people, expressed through the lyrical power of their native tongue.
The poems in this book were conceived in Ekegusii in a bid to capture the nuances of Gusii's spoken art, culture, language, and way of life, which is surely facing extinction. It persuades the reader to go back not only in time but also to the roots of the essence of Ekegusii. There is an attempt to translate the poems to English for a wider reach.
Anciently of the clan of Masisi of the Bagesaka from Bobasi, Nyansera Otieno is a scribe, painter, curator, cultural activist, and native language crusader. He has taught at the Bugema University (Uganda) and Kisii University (Kenya) at the School of Arts and Social Sciences, Department of Languages Linguistics and Literature. He holds a doctorate in linguistics from Kisii University. He is a crusader for Gusii Language and Culture revitalization. He writes poetry and short stories from his rich EkeGusii oral literature background. He patronizes the Bobasi Branch of the AbaGusii Cultural and Development Council and Mwanyagetinge Heritage Council, Bobasi Chapter.
Crucible for Silver and Furnace for Gold
Giorgio thought that a sojourn to Kenya's coast was the perfect way to kick back and relax, luxuriate in the sun, scuba-dive, take big-game fishing trips or a dhow cruise, but it turns out to be a break filled with mixed fortunes. On the other hand, Lavina's sabbatical for soul-searching in Malindi turns out to be a Herculean task of grappling with a moral dilemma of epic proportions. When their paths cross and their lives become intertwined, their emotionally charged struggle to connect with each other is challenging and turbulent.
This story deals with various socioeconomic issues ranging from the institution of marriage and multi-racial relationships, to amazing Kenyan art & culture, to historical land injustices brought about by the pre-nineteenth century, 99 year old colonial crown land leases, absentee landlords, and the long overdue land reform agenda on land tenures, the cause of many a conflict in the country.
The first scene opens on the Kenyan coast with captivating miles of pristine sandy white beaches, lapped by clear turquoise waters, providing the backdrop for your typical tropical beach holiday, but gets marred with a near-tragedy.
Here is a compelling and descriptive narrative that will pull at your heartstrings, but one that offers a message of hope to a moral dilemma that has bedeviled the world.
Here is what others say about this work:
From an an author clearly proud of her heritage and the beauty of her country comes a romantic tale set in Kenya. Featuring a jaw-achingly handsome Italian man and a beautiful, talented, but troubled local girl, the romance unfolds in a light teasing manner until the twist in the tale turns out to be a moral dilemma that would test the strength of any relationship. - Muthoni Garland - Kenyan writer nominated and short-listed for Caine Prize 2006, winner of Absinthe Literary Review 2003, and Founder of Story Moja, a new publishing initiative in Kenya
Moraa Gitaa writes with a crisp, clean style that will engage the reader from the first paragraph forward. A ground-breaking novel from a modern 'This Generation' African woman. A fine example of expressive writing that women around the world will find both inspiring and insightful. You'll turn page after page. - Rod Amis, Publisher & Editor G21 The World's Magazine
In delicious detail and with revolutionary zeal, Moraa tells a story of fierce passion, challenging tradition and breaking taboo. She weaves a surprising symphony. Fabulous! - John Mwazemba, Publishing Manager, Macmillan (Kenya) Publishers
Vigorous, with a surprise at every turn. This one will capture you alive! - Bruce L. Cook, Author-me.com
Moraa’s keen hand represents her generation’s challenges, hopes and dreams. She presents the reader with an intriguing, lyrical tale where lies a complex and breathtaking story of modern Kenya as shaped by politics, global interconnectedness, and the stirrings of hearts motivated by private sorrows, personal commitments, and high ideals. - Dr. Wambui Githiora-Updike, Cambridge, Massachusetts, Author of Wanjira.
A remarkable tale of love that keeps you turning the pages deep into the night. As you close the last page, you are, without choice, left with the burning question: How do I live my life? - Onduko bw'Atebe, Kenyan Author, his debut novel The Verdict of Death won first prize in the inaugural Wahome Mutahi Literary Prize (Kenya) 2006
The Footfalls of My Heart
Footfalls of My Heart is a long narrative poem that draws style, idioms and expression from the culture, traditions, and philosophy of the Abagusii community of Kenya through the lens of a girl as she inches along toward marriage. In the community, marriage was a complex, long-drawn and tedious process that involved many parties including the families of the two, and peers of both the bride and groom, among many other key players. Throughout the process ran the concept of the ideal desirable partner. This poem captures the bride’s perspective of the groom, Rimura, depending on the many aspects deemed to define the ‘perfect’ rimura. Nyamwange’s Footfalls of My Heart is a bride’s response to his earlier publication, The Girl of Red Beauty which presented a bride’s dreams of an ideal wife, in the tradition set by Okot p’Bitek’s twin publications, Song of Lawino and Song of Ocol.
What Others Say
"This is truly beautiful. I enjoyed the stream of consciousness and wordplay, which powerfully built up the feeling behind the words. I love how the author writes with some alliteration and sensory descriptions.
I loved the imagery here:
‘The ring of bellyful laughter,
‘The beaming of a full moon on my face’
Is this a poem or a story I can't even tell!!! Why not both? It feels like the subject matter happened once upon a time.”
- Chasejameson Manar Spears, Poet, Oakland, California, USA
“The author has set a high standard to which African poetry should be written. Taking after Okot p’Bitek, the author has, however, heightened the language and the condensation of the expressions.”
– Dr. Chris Okemwa, lecturer, Kisii University and poet
The Dreamer
Imali Abala’s The Dreamer is a book-length poem; a poetic novella, an unrelenting meditation upon the abuse of women that centres upon the unfortunate path of the dreamer. En route, the links between madness and dreams are explored, a mythical explanation for inheritable insanities, the devastating impacts of culture change and social fragmentation, and the breathlessness of having a tight fist of possibilities and a palette of advisors who all turn the dreamer away, or inward, with no path found for her self-expressive flourishing in the world.
What Others Say
Touching upon historic and contemporary challenges, this work calls upon all who are in contact with girls and women, in any capacity, to open the world and make room, to clear a space for upcoming generations, on a path strewn with good guidance and marked by the freedom to explore, to walk along a path made solid with life-affirmations.” - Joanne Arnott, Canada, author of A Night for the Lady, Mother Time, Wiles of Girlhood, and Breasting the Waves: On Writing & Healing.
“Imali Abala’s The Dreamer is a must read for those seeking to understand female condition in post-colonial Africa. … What stands out in this story is that women have choices in redefining and repackaging their image in a male dominated world.” - Iddah Aoko Otieno, Editor of East African Anthology of Short Stories.
Lord Kitchener
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Concerned with political expediency, despite his education, Okwach is unashamed of political sycophancy and material aggrandizement under an autocratic regime that tramples upon citizens’ rights and freedoms. It is an environment that is a graveyard of independence-era aspirations where detentions without trial and opponent assassinations are the norm.
Unfavourable circumstances (greed and social stratification) mean that Ombam discontinues his schooling early, and endures many challenges that life throws at him. His education is left waiting till much later in life.
Will either of the two succeed? You, the reader, be the judge.
What others say
“The author has successfully created an imaginative and factual work of art under postcolonial and post-modernist thought, a contestation between marginal and dominant groups owing to cultural and political differences. African independence has not led to egalitarian societies but entrenched classes, political chaos and corruption.” – Dr. Andrew Nyongesa, writer & literary scholar.
“Written in a unique, appealing flowery language, this book is rich in history dating back to Kenya’s independence. It captures the politics of the time – ideological divergence, political greed, corruption, ethnic discrimination and political assassinations, among others. Like Chimamanda Adichie’s Half of a Yellow Sun, it highlights the dangers (personal and community) of opposition politics in young African nations.” - Joel Onyango, teacher, literary critic and founder of iTend-Kenya.
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